Experiences of nurses working in palliative care Dissertation

Experiences of nurses working in palliative care - Dissertation Example I wish to express my gratitude to my supervisor, Mike for being there for me and taking time out of your busy schedule to meet up with me and giving me valuable advice and guidance, once again a massive thank you. A special thank you to my family in Cameroon, especially my mother who have been my pillar of strength, and her unending prayers for my success. To my sister Quinta and my brother Collins, thank you all for your support and encouragement and I pray and wish for better things for you both. Finally to my better half Tiga, thanks for your enduring patient and coping mechanism when I was really down and stress, thank you so much for your understanding. Abstract The aim of this critical literature review aim is to investigate the experiences of Nurses working in the field of palliative care. It will examine at length using qualitative methods and only primary research papers. The objectives inherent in this field of nursing include symptom suppression as well as psychological su pport for patients and families alike. This review will provide the reader with current literature on the identified subject. The process will involve choosing a topic, search relevant literatures pertinent to the chosen topic, gathering reading and analysing the literature. Three theme chapters will emerge from the review which will be looked into in depth. Palliative nursing is a relatively new specialization requiring greater understanding and advocacy. The Supportive care model is emphasized as a description of the objectives necessary for this specialization. The most prevalent pathology leading to the need for palliative care is cancer, but there are other chronic illnesses that also put patients in need of this form of support. Finally, nurses themselves require a proactive emotional support structure to avoid compassion fatigue and burnout. Table of Contents Title Page Acknowledgement Abstract Introduction Background Methodology Theme Chapter 1 (Challenges in palliative care ) Theme Chapter 2 (Trust in palliative care) Theme Chapter 3 (The wellbeing of palliative nurses) Discussion of Finding Limitation of study Limitations of the Literature Review Process Conclusions and Summary Implications For Practice Reference List. Appendix 1 Dissertation Proposal Appendix 2 Timetable For the review Appendix 3 A Structure for appraising Qualitative Research Matrix Table CHAPER 1 1:1 Introduction. This critical literature review will explore nurses working in palliative care and their experiences. According to the World Health Organization, 60% of the 56 million people who die somewhere in the world every year would benefit from palliative care during their final months (WHO, 2002). Among these people not all are among the elderly. There is ample evidence that a caring approach which embraces psychological, psychosocial and spiritual support is highly effective and is valued by both patients and families (Beaver et al, 2002. This review’s purpose is to provi de the reader with adequate and most current literatures on the identified subject (Cronin et al, 2008) the processes involved a literature review, identifying a topic, search relevant literature, gathering, reading and analysing the literature and writing the review (Cronin et al, 20

Market for Energy Drinks Essay Example for Free

Market for Energy Drinks Essay 3.How is the market for energy drinks, sports drinks and vitamin-enhanced beverages changing? What are the underlying drivers of change and how might those forces individually or collectively make the industry more or less attractive? The market for energy drinks, sports drinks and vitamin-enhanced beverages kept on changing through differentiation from other brands to have a better brand image and also to meet the demands of the consumers as it is said that USA has helped greatly in the growth of the industry. Because of the significance of brand recognition, the sellers kept on building the product and how it to be most familiar. Product innovation, one of the market’s drivers of change, is said to be the most important competitive features of the alternative beverage industry. Alternative beverages competed on the basis of differentiation from traditional drinks (carbonated soft drinks or fruit juices) so for energy drinks, they often changed the taste, the energy boosting of their ingredients, and image. It is also through marketing innovation and efficient distribution systems that the industry kept on changing by always having varied its packaging, clever ads, endorsements from celebrities/athletes and sponsorships. Alternative beverage sellers also need to have efficient distribution systems to be successful in the industry. These forces only made the industry attractive because it can attract first time buyers through product and marketing innovation and offer responsive customer service to large customers which may then lead to an increase in market demand, make competition more intense and lead to a higher industry profitability.

Rendell Company Case Study Essay -- Business Case Study Essays, solut

Rendell Company Case Study Executive Summary This report will give us a clear perspective as to what the optimal organizational structure that suits Rendell Company plus some additional control system in attaining the company’s main objectives. We will be also tackling the roles, functions and responsibilities of a controller in an organization. This case takes us into Rendell Company which is currently having problems between the corporate controller and the divisional controller. We assessed the advantages and disadvantages of the organization structure of Martex whether it can be applied and be implemented to Rendell Company in order to resolve the problem. Through the frameworks and issues, we concluded that while current setup would cause some budgetary discrepancies because of the lack of loyalty between the divisional controllers to the corporate controller, changing the organization structure of Martex would cause a disparity between the division manager and the divisional controller thus resulting in an anxiety in their working environment which is too costly as compared to maintaining the current setup. I. Case Context Rendell Company is experiencing some difficulties in implementing its modern control techniques due to the irking relationship between the divisional controller and the corporate controller (Mr. Bevins) resulting in an added fat to the organization’s budgets. Now, with these problems, Mr. Bevins is interested with the organizational structure of Martex if this will be the solution of the current problem. II. Problem definition How Should Rendell resolve the current reporting relationship of the corporate controller and the divisional controllers to achieve goal congruence? Is the controller relationship of Martex better than that of Rendell’s current organizational relationships? III. Framework The group worked out on these following considerations in resolving the issue: 1.  Ã‚  Ã‚  Ã‚  Ã‚  First we identify the company objective which is to achieve profitability and growth. 2.  Ã‚  Ã‚  Ã‚  Ã‚  Attaining goal congruence within the organization is important to support the company’s main objective. 3.  Ã‚  Ã‚  Ã‚  Ã‚  Analysis of the current organization and reporting structure by evaluating its strengths and weaknesses. 4.  Ã‚  Ã‚  Ã‚  Ã‚  Assessment of the proposed organizational set-up (patterned from the set-up of Martex) by evaluating whether implementa... ...ke more active involvement in the budget VI. Basic Justification Since an accounting system is already in place in Rendell, change may not be easily accepted by the concerned divisions. Such changes may cause a dysfunction in the organizational structure since making division controllers report directly to corporate controller might cause destabilization in the structure of authority in the divisions. Loyalty issues may also arise because division managers may feel by-passed or spied-upon which may cause more problems in the long run. Thus, more importance should be given in preserving the power structure in each division. It is better that the company face the problem of having fats in the expense budget rather than give up order in each division and jeopardize the established line of authority. As a conclusion, maintaining the current setup would be better than changing it into the structure of Martex in achieving the goals and objectives of Rendell Company. VII. Operationalize / Implementing our Decision Implementing our decision would include retaining the current setup and adapt changes (as mentioned on our decision) from Martex to reduce the â€Å"fat† in the budget.

The Issue of Race in Othello Essay -- Othello essays

The Issue of Race in Othello    In his production of Othello for BBC television (1981), Jonathan Miller asserted that Othello's race does not greatly impact his downfall in the play.   He maintains that while Shakespeare touches upon the issue of race, the cause of Othello's demise lies elsewhere.1   However, the implications of race in the play directly lead to its tragic ending; it is this issue that impels the characters to set the tragedy in motion.   Brabantio would never revolt against the union of Othello and Desdemona if it were not for Othello's blackness.   Roderigo could never be motivated to pursue Desdemona were it not for his belief that their relationship is unnatural.   By far the most significant racism is Othello's own, racism that Iago brings to the surface by playing upon Othello's racial insecurities.   Finally, it is racism that serves as Iago's primary cause in his destruction of Othello.   Brabantio is very selective about suitors for Desdemona, as is evident from his vocal condemnation of Roderigo.   After learning it is Roderigo lurking about his window, Brabantio tells him, "The worser welcome! / ... In honest plainness thou hast heard me say / My daughter is not for thee" (1.1.92-95).2   Although Roderigo is a wealthy native Venetian, in Brabantio's eyes he is not worthy of Desdemona.   Despite these strict standards, it would seem that Othello could win Brabantio's approval; he holds a lucrative and prestigious position as the general of the army, he is born of a noble background, and he has the respect of the State.   In addition, Brabantio has an affinity for Othello, as he explains, "[he] loved [Othello]; oft invited [him]; / Still questioned [him] the story of [his] life" (1.3.128-29).   There is no ... ...his possibility and fights it.   Through resisting the stereotypes, as opposed to acknowledging and accepting that they exist, Othello increases his internal conflict.   Had he the necessary strength and faith in himself, the conflict could not have arisen; for when there is no resistance, the struggle ceases.   Rather than label Othello as a racist or anti-racist play, it is more significant to see how, from a racial standpoint, the tragedy demonstrates the explosive effects that racial dissonance can produce when combined with other personal insecurities.    Notes 1.   Jonathan Miller, television interview, BBC, 1981.   Quoted by Sylvan Barnet, "Othello on Stage and Screen," in Alvin Kernan, ed., Othello, Signet Classic Edition (New York: Penguin, 1998): 230.   2.   All references to Othello are from the Signet Classic Edition (New York: Penguin, 1998).

Australian artist

The everyday phenomenon or contemporary art is art made since World War II or the art made or produced at the current point in time. Since 20th century the common concern was and is what constitutes of art. Contemporary art is not always easy for it takes a person to the heart of many ideologies and issues. And for our case it helps Australian populace to know their past, present and future. (Crosskey 77) National identity was an issue the Australians argued about in 1990s the symbols, images representing Australians experience and history.Artists focus on symbols or issues that we ourselves do not treat with seriousness e. g. suburban houses or even acknowledgement of indigenous Australians experiences. Art display welcomes questions but also a reflection of values, history and lifestyle. (Daly 188) Australian Art Australian aboriginal art and post colonial art are classified under art of Australia. In both western traditions and indigenous traditions Australia has produced distingu ished artists. The uniting subject for both histories of Australian art is the sacredness and importance of the land. (Smith 42) Early colonial art when taken to Europe was received with skepticism.John Lewin was the first resident professional Australian artist; he arrived in 1800 and had two publications on natural history of art. In natural history, in 830 especially there was some ethnographic portraiture of Aboriginals. (Lindsay 138) There has been a gradual change since 1788 in Australian art from a European sense of light to an Australian one. Lighting sense in European differ from Australian this is reflected on early attempts at landscapes. In 1835 to 1878 Conrad Martens a professional artist painted many landscapes which made him financially successful.His work on landscape was regarded softened so as to fit European emotional response. John Glover was another significant landscape artist of this era. (Pratt 69, 240) In 1840s attempts of art exhibitions were made and manag ed to attract some artists but there financial difficulties. Regular exhibition became popularized by 1850s with huge display of various arts. (Lindsay 138) Decorative art such as water color painting, miniature, and functional objects such as urns, before second war I became more popular in Australia.Modernist art after World War I began to be felt and cause disputes between detractors and its practitioners. (Wood 30) Archibald Prize the most famed art prize was founded in 1921 even though definition of portraiture has always yielded to disagreements. There was evident cross pollination of Aboriginal and western art in 1930s and 1940s, after Australian interior was opened. (Art Gallery of New South Wales 19-22) Artists in 1940s began to try other styles such as Surrealism and others. John Brack brought to attention suburban landscape; there was an increased landscape painting.Brett Whitely a Sydney artist was one of the known painters till his passing away in 1992. (Biennale of Syd ney, 102) Papunya Tula School or ‘dot art’ developed after Geoffrey Bardon a teacher in 1971-1972 motivated the Aboriginal people of Papunya to paint their dream time narratives on canvas, one of well known artist of ‘dot art’ is Clifford Possum. Dot Art style art has become well recognized through out the world. Some of well known contemporary Australian artist have progressively used video and photography i. e. Tracy Moffat in their work. (Art Gallery of New 50-62)Aboriginal artists that make use of western in-between have been recognized internationally and seen as recent time great painters’ example being Freddy Timms. The Australian war memorial has some authorized war artists such as Rick Amor and others for East Timor peacekeeping mission, Lewis Miller in the 2003 Iraq War. (Bosch 90) Artists Imants Tiller Diaspora of Imants Tiller art took an everyday phenomenon that was overlooked. Diaspora means a dispersal of populace of same national beli efs or origin. Diaspora was a series of Imants Tillers in 1990s which he described as a new exemplar in his work.His four painting were relating to displacement of persons from their original land of your birth due to colonization and dissimilar cultures combination which makes the most part of the narratives and legacies of these societies in the 20th century. For people in Australian and New Zealand countries Diaspora is inbuilt in creation of the society that they are today. (McCulloch 776) Imants paintings were Diaspora 1992, Izklied 1994, Paradiso 1994 and farewell to reason 1996. The thing that was conspicuous about Tillers paintings was the way one big painting had small one next to each other.The impression that is created by Tillers different interaction of his four art works is that one of worlds within worlds, moving in numerous courses within each work and from one to another. This works are in relation to Till ongoing interest to turn over professed ideologies on periph ery and centre of North America and Europe and on one side and comparatively indistinguishable places on the â€Å"world stage’ e. g. Lavitia, Australia, and New Zealand. While the liberty of Baltic States was a facilitator for Tillers four series, his works integrate a broader concentration in the insider/outsider puzzle across boundaries.(McCulloch 776) His work also notes reoccurring cycles of loss, new beginnings and require admitting varied voices. A non-Balt or Balt that observed the great pro- independence protests in 1988 to 1991 will not remember them and the great moving impact they had; the tears, the songs, the sense of liberation as populace were able to utter open things which in forty years they were afraid even to sigh in secret; ‘For you shall know the truth and it will set you free’ Anatol Lievin. (Rowley 192-193) Diaspora 1992Tillers painting Diaspora 1992 was a reaction to the theoretical political events in 1990 in Lavitia (Home nation to hi s parents). Tillers connection with Lavitia was unclear his alertness of an innate culture and the image was of the past, were constants in his childhood. They moved from Lavitia to Siberia in Baltic State which emerged after collapse of Soviet Union as refugee due to colonization. This led to Tillers outstanding sudden turnaround. (McCulloch 776) The painting that Tiller exhibited in Melbourne, at a Gallery was his first to enter Diaspora collection.This work included many references i. e. fragments of images, images, symbols and words from more than twenty works of art of eleven artists from dissimilar art chronological periods and dissimilar cultures. Pierre Restany commented: ‘The spectator witnesses an unfolding of coded messages and secret references, imprecations and fragments of ex-votos, making up the flux, or rather the weave of collective memory. ’ (Rowley 192-193) Izkliede 1994 Izkliede 1994 was created with Australian spectators in mind. It composed of many small pictures like in Diaspora 1992.Tillers second art has elements in moving up and downward in instabilities performances; this can be translated as globe further than the purely purposeful and rational features of reality. Rudolf Steiner has described it, ‘what is essential is the fact that the visualizations liberate the soul from dependence on the physical. ’ Izeklied can have many meaning like a language. Swastika on the inflammatory matchbox symbol when it adopted by the Nazis caused people to die in millions, for over 3000 years the symbol had been used in many cultures symbolize life, sun and good luck.(Curnow 148) In Izklied there is Joseph Stalin’s head portraying political image and is surrounded by shapeless masses. When this piece was displayed in Sherman Galleries in 1994 it made a lot of impact to those who saw the piece. By the moment Tillers painted his version the Cold War it had already ended. In Tillers title he suggests that many other bat tles were in the mind of many people this included the need to take precaution and protect the surrounding through out the world. ‘Let us posses one world, each has one, and is one’ this writing on the piece gave it new energy.(Curnow 148) Paradiso 1994 Paradiso 1994 is the third work of Tillers in Diaspora. Its context was relations in a disjointed world. His third work was reflecting on relocated people hope for a new ‘promised land’ after going through various problems. This notion or though was never a reality though the displaced people were freed from day to day domination in their own country. The situation was very tough in the countries they took refuge in as they tried to go on with their lives. This ideology of paradise, is connected with faith; gone astray, found and longed for.Tillers slots in Meka’s book and his words writings ‘We are dreaming of bread and liberty We’ll dream the same when we die Hungry, imprisoned, enslave d And scattered across the face of the earth’(Rowley, 192-193) Farewell for Reason 1996 In Farewell for Reason 1996, they are many secret codes that speak about mortality and rites across diverse cultures. In farewell to reason the idea of recycling is seen because of the panels on the top left and right, in bold letters ‘see’ and ‘surf’. His adaptation of the words such as ‘surf’ an abbreviation for ‘surfeit’ it has profaned and sacred implications.This work was the last on Diaspora by Tillers. (Rowley 192-193) Finally Diaspora series advocate that social, cultural and local specificities influence language and the manner we think, difference of culture is there for us to come to grips with it, coexistence is a procedure of becoming that is incessantly developing. (Curnow 48) Gordon Bennett and Peter Robinson Peter Robinson and Gordon Bennett in the late 1980s and early 1990s, the have had the intention of commenting, expos ing and reflecting on the occurrences of New Zealanders and Australians.Their works describe and state current day culture, considering the creation of country societies and histories after the colonial rule and also look into the function of an artist in the modern art industry. (Benjamin 127) The both have dissimilar degree of aboriginal descent in their personal past and this has manifested in production of the two artists work. Robison at first gained skills as a sculptor and Bennett work was on painting. Their origin has played a great role in their work for it is divergent in the art world and from how they define their own identity.They do not agree to be called native artists; they prefer their art not to be weighed down by the descriptions of others. In each artist art work there are some visible elements such as native history, post European arrival and the impact of social politics and conflict with the awful nature and other cultural and current experiences. (Benjamin 12 7) Their works have been displayed in Three Colors Exhibition and Catalogue basically to give their work closeness rather than compare the two.They both knew very little about the components work for they had not met prior, but Three Colors gave them this opportunity for their art to talk to each other. In compassion with Ross Gibson's portrayal of a physical but also a thought of ‘badland’, ‘†¦ a disturbing place that you feel compelled to revisit despite all your wishes for comfort or complacency’ Robison and Bennett react to and involve their cultures, to address problems that are likely to be ignored or serve that risk. Their approaches of art make us to keenly look at the difficult issues at hand (Cambridge 34-40)Bennett’s expression on the abstract notion of identity bothered specific conformist views that regarded the native Australians, the hegemonic perspective of native culture and past as formulated by the colonial dialogue, and broug ht close concentration to the widespread implication of such deliberating for viewer and subject. Bennett’s early works seemed to have a liberating sense, for they confronted the Anglo-Saxon Australian description of history seeking to acknowledgement, motivate understanding and re-examining of approach and communal actions.(Cambridge 34-40) The Coming of light 1987 this is an indication of Bennett’s early works which was filled with anger i. e. a sarcastic tone going throughout his practice. His title was indicating modernization and bringing light to savage mind which was dark. The Urban European attack in this project is represented by elements such as typical city buildings, a backdrop of a mass of European white faces looking with eyes wide opened at one black native and a guillotined jack-in-the-box hanging from a nose.Use of alphabets in his work is a symbol of capital and commerce, indicating the power in European language and other structures of thought. (Benj amin 127) Peter Robison in his work tried to answer ‘What kind of Maori person was I, if at all? He was from Maori tribe. By choosing g art as a career he was to revive political and cultural interest in Maori individuality, language and customs at that time. He went deeper into the Maori heritage in his work: ‘I am of Maori descent and maybe I'm aware of it, or completely unaware – but I've been de-tribalised.So when I started producing Maori art it was like I was part of a lost tribe that had lost its roots in Maoriness and was finding its own roots. ‘ (Benjamin 127) Gordon Bennett and Peter Robinson work Tongue Of The False Prophet (1992), 3. 125% (1994) and Untitled (1994) are indication of Robinson's reply, reviewing and investigating his individual stand in the intricacies of the New Zealand cultural state. Robison work the ‘percentage paintings', 3.125% (1994) symbolize the inquisitive position that he followed in answering to his ‘Maorine ss' in an opened-ended method, focusing on the dualities inside his individual state of affairs and the superior bicultural state, through its olden times of battle over dominion and privileges: ‘A large number of Robinson's works have centered on this issue – not just the tools and methods that the power culture in New Zealand has used to de-legitimize and diminish Maori cultural identity and Maori rights to lands and resources, but also the impact that such experiences have had upon the Maori people. ‘(Benjamin 127) 3.125 percentage , is the mathematics quantity of Maori blood containing Robinson's ancestry, a number that can be thought as insufficient or sufficient to assert social or cultural rights, depending on the alternative of defining structure; blood, familiarity, or policy: ‘And then they accuse you of jumping on the Maori art bandwagon. The percentage paintings were a way of exposing these kinds of attitudes. It is my belief that Maori identity is a matter of identifying yourself as Maori – belonging in terms of ancestral connections as opposed to being a concept of how much Maori you are in terms of blood quantities.‘(Benjamin 127) Self Portrait (Good Guys) has a powerful mournful expression on the psychic, self and social effect of color disparity and assimilation. It is against generalization and subsuming of identities on grounds such as scientific, social religious, political or any other grounds. ‘This is what my project is all about – not only through my art but in my coming to understand for myself that I am a measure of Australia and of Australian culture, that I was conditioned and socialized into this culture in a fairly average way.I feel that by deconstructing my false notions about myself and my Aboriginality then, in some way, I am also reflecting how that is being falsely reflected within Australian culture. So, there's this connection between my deconstructing this image in myself and deconstructing it in Australian culture. ’ (Benjamin 127) Robinson respond to current concerns with ethnicity and identity or other issues is to satirize political accuracy. The irrefutable legacy of lineage is closely examined by Robinson and Bennett in works acknowledging the difficulties of self identity.Self Portrait (Ancestor Figures) (1992) is one of Bennett’s work mostly documented among their works. (Benjamin 127) Boy Am I Scarred, Eh! (1997) there was a scarring and psychic damage to Maori after McCahons speculation. ’ I see much of my current work as History painting, not as a documentary History painting, but rather it is painting that investigates the way history is constructed after the event, always mediated by someone's point of view, a teleological one point perspective that reflects a Eurocentric bias.‘(Benjamin 127) In early 1990s Bennett’s painting had accounts of optical grids, perspectives, black voids signs and dates signi fying the impact and actions of arrangements of thinking applied by European colonial governments and individual putting borders and giving significance to the land of Australia and its populace. (Benjamin 127) Conclusion The Everyday phenomena style of art has affected the communities in a positive way since they get into issues that in most cases would have been ignored or overlooked.In Australia during the 1990s the artist and everyday theme was similar since during this period there were issues such as European colonization, displacement of people from their land and people taking refuge in other states in hope of a new start of their lives. Imants Tiller, Gordon Bennett and Peter Robison in their work have interest on the everyday phenomena in their work. (Crosskey, 77) Works Cited Bosch A. V. den, Aesthetics, Allen & Unwin Publishers, 2005, ISBN: 1741144558 Biennale of Sydney, Sydney Opera House, Art, Modern, Biennale Publishers,2002 Wood P. , Perry G. , Postmodernism, YALE UN IV PR Publishers, 2004, ISBN: 0300101430 Lindsay, R. , and et al, Painting, Modern, National Gallery of Victoria, 1983 Pratt W. B, Encyclopedias and dictionaries, Australia, Grolier society of Australia, 1977, ISBN: 0959660402 Lindsay, R. et al, Art, Australia, National Gallery of Victoria, 1987, ISBN: 0724101225 Daly M. , et al, Australia, Rough Guides, 2003, ISBN:1843530902 (Crosskey , J. Philip, Rose G. Roger, Art/Pacific Area, University of Hawaii Press, 1993, ISBN:0824815734 Curnow w. , Art, Australia, Craftsman House, 1997, ISBN:9057032716 (Rowley, S. , Handcraft/Philosophy, Allen & Unwin, 1997, ISBN: 186448313X McCulloch, A. , Biography, Allen & Unwin, 1994, ISBN: 1863733159Benjamin R. , Art, Australia, Guggenheim Museum, 1995, ISBN: 0892071451 Cambridge Scientific Abstracts, Art Modern, Clio Press, 1969 Art Gallery of New, South Wales, Art Modern, the Biennale Publishers, 1986, ISBN: 0959661956? Smith, S. Ure, Traveling Exhibition, the Museum of Modern Art, 1941 Art Gallery of New South Wales Art, Australia, the Gallery, 1989?

Theme of Blindness in Lear and Oedipus Essays

Theme of Blindness in Lear and Oedipus Essays Theme of Blindness in Lear and Oedipus Paper Theme of Blindness in Lear and Oedipus Paper Essay Topic: Bless Me Ultima Blindness Sometimes the blind can see more than the sighted. During a scary movie or a horrific event, people may cover their eyes, choosing not to see the truth. As human beings, we often become entrenched in the material world, becoming oblivious to and unable to see the most apparent truths. Oedipus, the main character in Sophocles play Oedipus Rex, could not see the truth, but the blind man, Teiresias, saw it plainly. Sophocles uses blindness as a motif in the play Oedipus Rex. Oedipus, known for his intelligence, is ignorant and therefore blind to the truth about himself and his past. Yet, when Teiresias exposes the truth he is shunned. It is left to Oedipus to overcome his blindness, realize the truth, and accept fate. Oedipus, who bear the famous name, fled his home of Corinth in fear of fulfilling the prophecy that he would kill his father and marry his mother. During his flight, he Oedipus kills a caravan of presumed low-class travelers. Oedipus comes into Thebes a stranger and hero who solved the riddle of the sphinx. Believing that he is blessed with great luck, Oedipus marries the recently widowed Iokaste and becomes King of Thebes. After many years, a plague vexes the city and Kreon, brother of Iokaste, comes to Oedipus with news from the oracle. He states that the plague will be lifted when the murder of Laios is avenged. Oedipus claims that he sees and understands the terrible fate of Thebes and vows to find the murderer. Since the criminal is said to still be in Thebes, Oedipus believes that a man of his intelligence should have no difficulty in finding the perpetrator. When Oedipus is confronted by Teiresias with truth, perhaps it is Oedipus own hubris, which blinds him to the unthinkable truth. Unwillingly, Teiresias the blind seer provides Oedipus with the hurtful truth. Although before the truth is announced, Oedipus describes Teiresias as a seer: student of mysteries. Oedipus looks to Teiresias for help in finding the murderer of the former king. He is trusted and respected by everyone in the city as evidenced by his introduction as the holy prophet In whom, alone of all men, truth was born. Yet, when Teiresias speaks, reluctantly but honestly to Oedipus, he is shunned and his credibility and motives are attacked. Oedipus accuses Teiresias of plotting against him and helping Kreon become king. He claims that Kreon has brought this decrepit fortune-teller, this collector of dirty pennies, this prophet fraud to him. Sadly, the citizens represented by the chorus, who once trusted Teiresias, will not side with him because there is no proof that h is prophecy is true. Within one conversation, the lavish praise of Teiresias crumbles into Oedipus hatred of him. Responding to Oedipus attacks, Teiresias tells him you with both your eyes you are blind: You can not see the wretchedness of your life, Nor in whose house you live, no, nor with whom. Who are your father and mother? Can you tell me? You dont even know the blind wrongs That you have done them, on earth and in the world below. Although, Oedipus and the citizens of Thebes do not know the truth, the audience understands that Teiresias represents insight, therefore his wise words should be perceived as prophecies of events to come and morals to learn. Teiresias though physically blind can see better or more clairvoyant than Oedipus who has perfect vision and yet still blind to the truth. In the same dialogue, Teiresias foreshadows the double lash of your parents curse will whip you. Out of this land someday with only night Upon you precious eyes. Leaving with the last word, Teiresias exits the stage telling Oedipus the truth once more. It is not till the confession of the Shepherd and the suicide hangin Now with the truth of himself realized, Oedipus is filled with grief and guilt. He blinds himself, left forever with the knowledge of the destruction and shame he has brought on his family. He says goodbye to daughters because he must live the rest of his life in exile and die where his parents intended, the wild hills of Kithairon. Oedipus blinding himself symbolizes his increase of knowledge, his sensitivity, and gives him the ability to finally see. He is now able to recognize the flaws of his hubris and the consequences of which his pride brought him. The same theme appearing in most Greek stories applies to Oedipus; the will of the gods is ultimate, and one must live humbly.

Man to Send Rain Clouds Essay Essays

Man to Send Rain Clouds Essay Essays Man to Send Rain Clouds Essay Paper Man to Send Rain Clouds Essay Paper Culture instills a important function in household life. Family traditions are frequently passed down from one coevals to the following. and normally produce added complexness from outside influence over clip. The original individuality of the belief continues to be evident. although more thoughts have been added to the basic cultural belief. In Leslie Silko’s short narrative. â€Å"The Man to direct Rain Clouds† . this quandary arises. Although a changeless influence of Catholic beliefs are evident in the Pueblo people’s society. Leon and his household still expose their Native American individuality through their actions present throughout the narrative. Silko explains that her people â€Å"were good informed about [ civilization ] . † and that â€Å"old traditions were deceasing out† ( Silko. â€Å"Language† 772 ) . The local Catholic Church’s curate. Father Paul. efforts to integrate the Church’s instruction into the Laguna’s manner of life. He shows great concern for Leon and his household â€Å"miss [ ing ] [ Mass ] last Sunday. † ( Silko. â€Å"Man† 50 ) . and requests the household to go to the undermentioned weekend. Father Paul successfully influences Leon’s sister. Louise. When she finds out about her grandfather’s decease. she suggests integrating the rite of pouring holy H2O on his gravesite â€Å"so he won’t be thirsty† ( Silko. â€Å"Man† 50 ) . Although Catholic intervention attempts to act upon the Native Pueblo civilization. Leon invariably attempts to retain his Native individuality. When Leon and Ken discover their Grandfather dead in the arroyo. they instantly perform the Native Pueblo imposts. The imposts included the picture of their grandfather’s face. binding a plume to his hair. wrapping him in a ruddy cover. and fliping Indian meal into the air current. By executing these rites. they â€Å" [ maintain ] the household †¦ and kin together† ( Silko. â€Å"Language† 766 ) . demoing the great importance they hold upon their cultural beliefs. When reassigning grandfather Teofilo back into town. Leon and Ken deceptively tell Father Paul that â€Å" [ Teofilo ] won’t [ be crowding sheep ] any more now. † ( Silko. â€Å"Man† 50 ) . in an effort to conceal their grandfather’s decease to get away the Catholic rites being forced upon him. Even though Leon efforts to maintain his Native individuality. he finally acclimates to his Catholic milieus. He asks Father Paul to integrate the holy H2O rite in concurrence with the Native American entombment. Leon exclaims that he â€Å"is happy [ about ] the scattering of the holy H2O. † because now his gramps could â€Å"send them large cumulonimbus. † ( Silko. â€Å"Man† 52 ) . merely as he has wished earlier in the narrative. During the procedure of the Catholic rite. even Father Paul â€Å"is reminded of something. † ( Silko. â€Å"Man† 52 ) . in respects to a connexion between the two civilizations beliefs. The pouring of the holy H2O displays a metaphor. The metaphor demonstrates. that if one finds similarities between different civilizations. the ability to accept the thought into your ain manner of thought. becomes much easier. When civilizations collide. their beliefs hold a inclination to act upon one another. However. the original beliefs and values must be kept noticeable. or else the beginnings of the civilization may decease out. Silko’s account â€Å" [ Cultures ] . convey us together. despite great distances between [ them ] . † ( Silko. â€Å"Language† 772 ) . shows that the different beliefs people withhold brings us together. Although the Church efforts to act upon Leon’s household. and Leon attempts to maintain the individuality of his beliefs. they finally concede to organize what may be known as a new signifier of Laguna civilization.